Arts & Culture
Gallery Guide: November’s Best Exhibitions in Mexico City
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Your gallery guide to the best exhibitions for the month of November and some of them lasting straight through the winter. There's a lot to look at.
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November’s Gallery Guide is Loaded: Here’s What You Need to See! 

Mexico City’s museums, galleries, and public forums light up for the winter season. These are some of the most important and interesting exhibitions you’ll see this winter. 
 

Arte en nuestro tiempo (Art in our time)
LS Gallery Polanco

Original works by Andy Warhol, Keith Haring, Richard Hambleton, Jeff Koons and Brent Waden are being exhibited at LS Gallery as part of their 15th anniversary. A collaboration with Woodbery House Gallery in London, along with collector Andy Valmorbida, made the exhibit possible. Also on view, the permanent collection of the gallery includes no less than works by Rufino Tamayo, Francisco Toledo and Arnaldo Coen.

Address: Enrique Ibsen 33, Polanco

 

Niérika
Centro de la Imagen


* Through March 27, 2017

10,000 slides, 800 sound reels, more than 20 hours of 16mm film, plus 35mm and Techniscope photography, vintage documents and tables of yarn corresponding to the work of the Lilly Archive. Through a single word, the wixárika can represent, like a mirror, the secret visions of an invisible world, using them rather as symbols. This is Niérika, one of the simplest philosophies for understanding reality, it’s yet one of the most complex to translate. The incredible work of John and Colette Lilly, two psychonauts who traveled to 1960s Mexico to study the sacred and healing uses of Mexican ethnobotany.

Address: Plaza de la Ciudadela 2, Centro Histórico
 

Otto Dix: Violencia y pasión (Otto Dix. Violence and Passion)
National Museum of Art

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* throughJanuary 15, 2017

Like no other painter, Otto Dix embodied in his biography and in his art the extremes of his century in Europe. Germany left a decisive mark on him. Its two world wars, the culture of the Weimar Republic and the political division after 1945 left him “both one affected and an observer.” The great realist took a critical stand against his time and testified in pictures that still shake viewers.

Address: Tacuba no. 8, Centro Histórico

 

El color de los dioses (The color of the gods)

Palacio de Bellas Artes


* Through January 8, 2017

The ancient Greek texts referred to the color of sculpture. In parallel, the historical texts from immediately after the conquest of Mexico also recorded the use of color in Mesoamerica. For example, Bernardino de Sahagún referred to the way in which a sculpture of the sun god was painted. A new exhibition the Palacio de Bellas Artes entitled “The Color of the Gods” highlights the importance of color in ancient art. In the end is an idyllic journey through the visual language of its authors – with implications for mythical past events.
Address: Av. Juárez, Centro Histórico

 

Con mil diablos a caballo / Victor Fosado (With a thousand devils on horseback: Victor Fosado)

Carrillo Gil Museum

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* Through January 8, 2017

Not just a retrospective of the artist’s work, this exhibit also brings us closer to Fozado’s context and the artists who were part of his wide circle of friends and collaborators. A series of documents in conjunction with the work help to expose the new generational order that was beginning to permeate Mexico. Curated by Julian Cuisset, Guillermo Santamarina Angelica Gracia and Victor Fosado, the artist’s son, the show is an invaluable contribution to better understanding his work and time.

Address: Av. Revolución 1608, esquina Altavista, Mexico City

 

Nadie sabe, nadie supo / Livia Corona (Nobody Knows, Nobody knew / Livia Corona)

Parque Galería

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* Through January 12, 2017

From the age of 21, Livia Corona began photographing Mexico with a documentary lens. The work consisted of walking the roads around various Mexican towns, where he captured often emblematic scenes of Mexican daily life. This new installation, Nadie sabe, nadie supo, includes a series of letter-size photographs and a single-channel video, focusing on the complex history of the conical silos found on farms throughout Mexico.

 Address: Puebla No. 170, Roma Norte

 

Javier Senosiain. Organic Architecture (Javier Senosiain. Organic Architecture)

Palacio de Bellas Artes – National Museum of Architecture


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* From 9 September, 2016 through 12 February, 2017

Organic architecture or architectural organicism: it’s a philosophy of architecture seeking a harmony between human habitation and the natural world. Seeking always to understand and integrate with a site, buildings, furniture, and their surroundings are unified. Javier Senosiain’s architecture is always a discovery and, at the same time, a surprise. In relation to average architecture from the last 25 years it is, to say the least, inexplicable and unique.

Address: Palacio de Bellas Artes, Av. Juárez y Eje Central, Centro Histórico

 

Roger Ballen

PhotoMuseo Cuatro Caminos

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* Through January 22, 2017

Roger Ballen was born in New York in 1950. He lived in South Africa for some 30 years. There, he learned to explore territories – some decadent, some ghosts – of people living on the edges of madness, collections of foreign objects, and worlds closed to the habitual gaze. Social. As part of the museum’s first anniversary this exhibition promises to be extraordinary.

Address: Calzada Ingenieros Militares 77, col. Lomas de Sotelo, Naucalpan de Juárez

 

Graciela Iturbide: Avándaro

University Museum El Chopo


* Through December 10, 2016.

Part of the 45th anniversary of the Rock and Wheels Festival, the Museo Universitario del Chopo presents a series of photographs by Graciela Iturbide. Also on display are videos and documents about the decisive countercultural event of the 20th century. Many of the photos have not been seen in 45 years. The originally published these images as Avándaro (Editorial Diógenes, 1971), the first book of her work, with texts by the filmmaker, Luis Carrión.

Address: Doctor Enrique González Martínez 10, col. Sta. María la Ribera

 

El París de Toulouse-Lautrec. Impresos y carteles del MoMA  (The Paris of Toulouse-Lautrec. MoMA prints and posters)

Palacio de Bellas Artes


* Through November 27, 2016

Exploring the passions of Henri de Toulouse-Lautrec, this exhibit includes more than 100 works of art including drawings, photographs, lithographs, oils and films. These make an appreciation for Parisian life only that much more apparent. Works come from the collection of the Museum of Modern Art in New York and the exhibit arrives in Mexico City after multiple cities. 

Address: Av. Juárez, Centro Histórico


 

Arqueología: Biología de Anish Kapoor (Archeology, Biology by Anish Kapoor)

MUAC CU

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* Through November 27, 2016

One of the most important and renowned sculptors of his time, this is the first major exhibit of Kapoors work in Latin America. Specially curated for this show, 23 pieces arrived by boat and occupy a space of more than 2,000 square meters. “Archeology, Biology” presents essentially a timeline of the artist’s career.

Address: Av. De Los Insurgentes sur No. 3000

ILUMINA, an alien-like sculpture of light and sound that shines with emotions
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ILUMINA is an art piece where technology, design, light and sound invites us to experience the ways in which we are all connected to the cosmos.
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ILUMINA is an interactive sculpture of light and sound fed by the collective energy of people’s hearts.

 

Art and technology are two faces of human creativity, two that are also closely related, despite the differences they apparently have with each other. What art does on many occasions has been achieved thanks to a specific technical development, a technology whose existence allows the artists to enhance or limit their creative work. Yes, it conditions it, but possibly also encourages it to transcend those limitations.

In this sense, the relationship between one and another human activities could be found in virtually any era, but it is certainly in recent times when technology has a presence, so persistent, somehow so inescapable, that art has been benefited for incorporating it. Both as a resource, an instrument, as part of the examination of contemporary reality, when many of our practices and interactions almost necessarily pass through a technological device.

Thus, somehow the ideal professed by Nietzsche on the need to transform life in a work of art, but this time through art and technology. Somehow the aesthetic sensibility, the discovery of the admirable or the frankly beautiful that any of us can perceive, finds a vehicle, a means of transmission and expression in how art can be magnified through technology.

 

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Nowadays, it is becoming more and more complex to achieve high levels of consciousness, and to create a community without being outside of technology, but ww can use it as a tool to improve our sensitive abilities. To the same extent that we depend on technology to survive, it has become part of our lives, even in its most spiritual and even transcendental recesses. Art, now more than ever, demands to be a vehicle to explore different states that bring us closer to the dimensions of the infinite

Ilumina is an installation created by the artist Pablo Gonzalez Vargas, who through a deep exploration with the power of interconnectivity, proposes a method to improve the energy field of the planet. Pablo Gonzalez created a majestic interactive sculpture of light and sound that is activated by the emotional states of people, generating a beautiful light show and a sound landscape where the participants enter a state of coherence and deep harmony with themselves and with each other.

 

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Ilumina is a metallic art monument, completed with aluminum and LED lights that together form an architectural piece full of harmony. The piece of art combines technology with a design of ancient wisdom. Ilumina has a program that responds to external stimuli, being able to shine more while more “coherent” is the group that hosts, generating a unique shared experience.

Ilumina is a chilling visual experience, and the volunteers who participate in the exercise of meditative immersion that lasts three minutes, are transported to a state of coherence and deep harmony with themselves, with their fellow participants and with the cosmos through a patented fusion of modern technology and transpersonal art.

 

 

The biometric sensors are connected to the ear lobes of each participant, which measures their unique state of coherence and averages them together. This is how lighting design and moving soundscapes respond to a unique algorithm, a product of HeartMath that uses biometric sensors for personal self-training in the regulation of emotional states where the sculpture becomes brighter to the extent that the users experiment with their emotions.

The team that created Ilumina included about 20 people from different disciplines and contributions. There was a large industrial design team that shaped the exact model that was taken to manufacturing. Marco Kalach worked with an expert manufacturing workshop, because as it is a public use facility in particular events, it had to comply with all the rules, structural regulations and with protection codes. The executive producer of the project was Gaby Vargas, who was responsible for the expertise at HeartMath, and joined by mexican musicians and audio engineers to make the experience of 360 degrees of immersive sound, led by Billy Mendez. The lighting team, directed by Paolo Montiel, coordinated all the programming and lighting design that makes symbiosis with the audio.

 

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It was at Burning Man 2012, where Pablo Gonzalez Vargas created an art car called Mayan Warrior: a luminescence project and a spectacular audio show featuring pieces by the artist Alex Gray and musical performances by elite artists from Mexico and around the world.

In the penultimate edition of Burning Man, Pablo Gonzalez and his team decided to go a step beyond the great proposal that is Mayan Warrior, by presenting Ilumina, this piece of sacred geometry that radiates not only light but an algorithmic sacrality, it’s as mystical and hypnotic as an art piece can get. The tower of almost 12 meters high illuminated the Nevada desert at the Burning Man Festival 2017, and users managed to enter a mental state full of concentration characterized by a complete absorption, a wonderful moment of loss of the notion of spacetime.

 

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It is expected that later there will be replicas of these sculptures, so that they can reach new locations around the world, and we can experience this amazing spectacle of light and the soundscape that connects us with the profound mysticism that exists in ourselves and that highlights the interconnectivity of our planet with the global energy fields.

Here are some photos of this beautiful project, in which lies the probability of a coherent and luminous future that would be worth living.

 

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Burning Man 2017

 

If you want to know more about this beautiful project or about the creative artist and allies that integrate it, visit their social media channels:

 

Ilumina Art Installation

Sitio web //  Facebook //  Instagram

 

The Five Most Beautiful Mexico City Libraries
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For budget travelers, Mexico City libraries were always among the most attractive, free attractions to visit. Today, they're simply too inviting to pass up.
Mexico City Libraries

Chilangos may cherish their reputation for never reading, but Mexico City libraries present a very contrary picture. 
 

Though the internet makes lots more information available to lots more people, Mexico City libraries have simply not been supplanted. Charged with continually re-inventing themselves, and their places in the public imagination, one can still encounter eras gone by and great historical minds in a library as in few other places.

Knowledge, after all, belongs to everyone. Opening a book, reading it at a study, or just meeting in the silence of one these Mexico City libraries enhances concentration, and provides a welcome respite from everything going on out there in the world. 

Of all Mexico City libraries, the oldest were part of the church and one or another of its offshoot organizations. Among these was the Colegio de Santa Cruz de Tlatelolco, founded in the 1530s and surviving today as the Biblioteca José María Lafragua. Most of these ecclesiastical libraries were not truly open to the public, and Mexico had to wait for the  National Library of Mexico, inaugurated by Benito Juárez in 1867 to enjoy the benefits of a truly public library system.

The list below is intended to let you enjoy some of that system, too. 

José Vasconcelos Library

Mexico City Libraries

Opened just ten years ago, in 2006, the Vasconcelos is visited by thousands for the sheer spectacle of its innovative design. Graced by the iconic whale from artist, Gabriel Orozco, it’s always a good library for art and visual spectacle. The facade retains something of a colonial appearance, but for sheer scale, and jaw-dropping space, the interior must be experienced.

Address: Eje 1 Norte Mosqueta S / N, Buenavista
Website 

 

UNAM Central Library 

Mexico City Libraries

We’ve written a lot about it in these pages, but the UNAM library with the Juan O’Gorman murals remains one of the most outstanding of all Mexico City libraries. As a UNESCO site with some 428,000 volumes in the collection, it’s the biggest in Mexico, but lots of folks visit just to see the facade and the surrounding grounds. 

Address: Circuito Interior S / N, Coyoacán, Ciudad Universitaria
Website

 

National Library of Mexico

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Opened by Benito Juárez in 1867, there’s still a good one million books inside, today administered by the folks from UNAM. Originally located in the San Agustín church in the city center, the current building was opened in 1979. Geometric, and massive, it’s an extraordinary place to visit.

Address: Av. Universidad 3000, Coyocacan
Website

 

Miguel Lerdo de Tejada Library

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Specializing in economic materials, this collection of some 86,350 books and 114,852 journals is administered by the Secretary of Finance and Public Credit. Founded in 1928, it’s one of the cities true public art spectacles. Inside the main nave of the old Oratory of San Felipe Neri “El Nuevo,” the baroque façade outside is just the beginning. Inside, the murals are futuristic, and not to be missed.

Address: Av. República de el Salvador 49, Centro Histórico, col. Centro Histórico

 

Library of Congress of the Union

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One of Centro’s truly outstanding historical buildings, for centuries it was the convent of the Clarisas from the 16th century. Today it’s something like a “Library of Congress” with a stunning collection of publications and artifacts, but also with a lush, deep, dark intellectual interior, that beckons from centuries past. 

Address: Tacuba 29, Centro Histórico

Photographs this page: Flickr – Creative Commons